4736 x 4048 px | 40,1 x 34,3 cm | 15,8 x 13,5 inches | 300dpi
Altre informazioni:
Bernard van Orley (Brussels, between 1487 and 1491 – Brussels, 6 January 1541), also called Barend van Orley, Bernaert van Orley or Barend van Brussel, was a significant Flemish Northern Renaissance painterOne of his earliest signed works dates from 1512 : the "Triptych of the Carpenters and Masons Corporation of Brussels", also called the Apostle Altar (the central panel in the Kunsthistorisches Museum in Vienna, the side panels in the Royal Museums of Fine Arts of Belgium, Brussels). It recounts the lives of two apostles Thomas and Matthew. It was originally commissioned for a chapel in the Our-Lady-of-the-Sablon church in Brussels. Portrait of Charles VIn his early works he continued the traditions of Jan van Eyck, Roger van der Weyden and their followers. But then he gradually began integrating the Italianate motifs of the Renaissance, and representing figure types and the spatial relationship such as found in the works of Raphael. In 1515 he was asked to take over the commission of a triptych for the Brotherhood of the Holy Cross in a chapel in the Sint-Walburga church in Veurne. He finished and delivered it in 1522. The left panel is on display in the Royal Museum of Fine Arts of Belgium. The front shows Saint Helena meeting the pope in an architectural setting of Renaissance buildings and Italianate motifs. The back is a grisaille painting of Christ falling under the Cross. The right panel is on display in the Galleria Sabauda, Turin, showing Charlemagne receiving the relics of the Passion. From 1515 on, he and his workshop received many orders for portraits, including from the royal family and from people connected to the court. In 1516 he painted seven portraits of Charles, who had just become King of Spain, and portraits of his brother Ferdinand, the later King of Hungary, and his four sisters (destined for the King of Denmark).
