Poltrona ca. 1828 Karl Friedrich Schinkel tedesco tra il 1826 e il 1828, al culmine della sua influenza come architetto leader della Germania e designer più ricercato, Karl Friedrich Schinkel fu incaricato dal principe Karl di Prussia (1801-1883) di rimodellare il palazzo di Berlino del principe (distrutto nella seconda guerra mondiale). Sembrava opportuno che Karl, figlio del re Federico Guglielmo III di Prussia (1770–1840) e del fratello minore del re Federico Guglielmo IV (1795–1861) e dell'imperatore Guglielmo i (1797–1888), coinvolgesse l'architetto di corte Schinkel per elaborare i piani. Per la Sala di marmo (o receptio

• Collaboratore: MET/BOT / Alamy Foto Stock
• ID dell’immagine: 2HHB2XH
• Dimensioni dei file: 41,1 MB (1,5 MB Download compresso)
• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 3791 x 3792 px | 32,1 x 32,1 cm | 12,6 x 12,6 inches | 300dpi
• Data acquisizione: 22 gennaio 2022

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Armchair ca. 1828 Karl Friedrich Schinkel German Between 1826 and 1828, at the height of his influence as Germany's leading architect and most sought-after designer, Karl Friedrich Schinkel was commissioned by Prince Karl of Prussia (1801-1883) to remodel the prince's Berlin palace (destroyed in World War II). It seemed appropriate that Karl, a son of King Frederick William III of Prussia (1770–1840) and the younger brother of King Frederick William IV (1795–1861) and Emperor William I (1797–1888), would engage the court architect Schinkel to draw up the plans. For the Marble Hall (or Reception Hall) Schinkel designed a luxurious suite of gilded furniture, comprising two sofas and eight armchairs, one of which is the present piece.[1] Many of the details reflect the designer's sensitivity to all aspects of the room's decor. One of the most intriguing of these is the similarity between the sides of the sofas and the pattern of the inlaid border of the wooden floor.[2] Like most display furniture, all ten pieces would have been placed against a wall. The details of the show covers and the ornaments on the front, such as the sphinxes looking forward from the arm supports and the lion mascarons on the armrests, give the furniture a ponderous grandeur; however, the chairs, which are indeed extremely heavy, have casters and can be moved-belying their monumentality and very much to the astonishment of the viewer, who can thus appreciate them from all sides.Until recently there was much confusion as to how many examples of the chairs of the former suite were still in existence.[3] The situation is now thought to be as follows. The Stiftung Preussische Schlösser und Gärten Berlin-Brandenburg currently displays two chairs in the Schinkel Pavilion at Schloss Charlottenberg, Berlin, [4] and there is a further example in storage at Schloss Charlottenburg.[5] The Kunstgewerbemuseum in Berlin owns two chairs, and there is another example, which has possibly retained much of