Almeno-cornuto civetta (nord del gufo comune). Strix pulchella (Asio otus?). Illustrazione firmato SN (George Shaw e Federico Nodder).. Handcolored incisione su rame da George Shaw e Federico Nodder 'del naturalista' Miscellanea 1790.. Frederick Polydore Nodder (17511801?) era un illustre storia naturale artista ed incisore. Nodder affinava il suo disegno lavorando su Captain Cook e Joseph Banks' Florilegium e incisione Sydney il morbo di Parkinson schizzi di piante australiane. Egli è stato reso "pittore botanico di Sua Maesta' Queen Charlotte nel 1785. Nodder ha anche richiamato la studi botanici in Thoma

• Collaboratore: Album / Alamy Foto Stock
• ID dell’immagine: P55P89
• Dimensioni dei file: 43,4 MB (1,6 MB Download compresso)
• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 3057 x 4964 px | 25,9 x 42 cm | 10,2 x 16,5 inches | 300dpi
• Fotografo: Album

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Least-horned owl (Northern long-eared owl). Strix pulchella (Asio otus?). Illustration signed SN (George Shaw and Frederick Nodder).. Handcolored copperplate engraving from George Shaw and Frederick Nodder's "The Naturalist's Miscellany" 1790.. Frederick Polydore Nodder (1751~1801?) was a gifted natural history artist and engraver. Nodder honed his draftsmanship working on Captain Cook and Joseph Banks' Florilegium and engraving Sydney Parkinson's sketches of Australian plants. He was made "botanic painter to her majesty" Queen Charlotte in 1785. Nodder also drew the botanical studies in Thomas Martyn's Flora Rustica (1792) and 38 Plates (1799). Most of the 1, 064 illustrations of animals, birds, insects, crustaceans, fishes, marine life and microscopic creatures for the Naturalist's Miscellany were drawn, engraved and published by Frederick Nodder's family. Frederick himself drew and engraved many of the copperplates until his death. His wife Elizabeth is credited as publisher on the volumes after 1801. Their son Richard Polydore (1774~1823) was responsible for the plates signed RN or RPN. Richard exhibited at the Royal Academy and became botanic painter to King George III. The illustrations are characterized by vivid colouring, fine detail, and a certain posed stiffness in the ornithological portraits, perhaps because they were sketched from dead specimens.

Parole chiave associate all'immagine

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