Coppa con coperchio. Cultura: francese. Dimensioni: Altezza: 4 7/8 in. (12,4 cm). Data: ca. 1650-60. La fiamma Terminale per tenda e la banda di cabochon-cup gemme di corniola, un colore rossastro varietà di calcedonio, impostato in bande di nero e bianco e traslucido verde-oro smaltato, identificare questo squisito oggetto come uno del francese royal tesori elencati in un inventario realizzato durante il regno di Re Luigi XIV (1643-1715). Daniel Alcouffe ha riconosciuto che la maggior parte degli oggetti fatti di hardstone lucidato precedentemente nella raccolta di Re Luigi XIV e ora al Museo del Louvre di Parigi, sono state infatti acquistato dal k
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Cup with cover. Culture: French. Dimensions: Height: 4 7/8 in. (12.4 cm). Date: ca. 1650-60. The flame finial and band of cabochon-cup gems of carnelian, a reddish variety of chalcedony, set in bands of black and white and translucent green-enameled gold, identify this exquisite object as one of the French royal treasures listed in an inventory made during the reign of King Louis XIV (1643-1715). Daniel Alcouffe has recognized that the majority of the objects made of polished hardstone formerly in the collection of King Louis XIV and now in the Louvre, Paris, were, in fact, purchased by the king from the estate of his first minister, Cardinal Mazarin, at the time of the cardinal's death in 1661.[1] The published inventory of the cardinal's possessions, made in 1653 and describing in detail his extraordinary collection of painting and sculpture, as well as household furniture, plate, and goldsmiths' work, makes no mention, however, of this object. While it is not possible at present to be certain whether or not the cup was a later addition to the cardinal's collection, the close resemblance of the enameled gold mounts to the mounts of a group of objects shown to have been in the collection and illustrated by Alcouffe strengthens the supposition that it was.[2] The similarity of the leaf-motif ornament of the cup's mounts to the ornament that adorns the mounts of many of the objects in Alcouffe's group also permits their attribution to a seventeenth-century French goldsmith. It is an attribution based on the internal evidence provided by the group. The sensuous beauty of colored hardstone has been highly prized in a great many civilizations, and the cardinal's collection contained finely cut and polished hardstone objects of widely different origin and date. A number of such pieces belonging to the group, mounted with similar enameled-gold ornament, can thus be recognized as having been embellished about the middle of the seventeenth century, when the cardinal was c
