Cosa fare e come fare itFor chi vernice, o kalsomine . l non solo essere trovata corretta, ma in sufficientvariety per coprire esigenze ordinarie. Tenendo bianco-piombo come una base, siamo in grado di produrre tinte tenui di thefollowing, in olio: Buff.-bianco, giallo ocra, terra di siena bruciata. Blu-bianco, blu di Prussia. Crema.-Bianco, Cromo media giallo. Scialbo.-bianco, umber, sia bruciato o materie. Fawn.-bianco, materie sienna, vermiglio. Lillà di bianco e vermiglio, Oltremare. Lavanda.-bianco e vermiglio, blu di Prussia. Rosa.-bianco, crimson lago. Rosa.-bianco e vermiglio. Rosa.-bianco, rosso indiano. ^ ^7 spazzola con la principl

• Collaboratore: The Reading Room / Alamy Foto Stock
• ID dell’immagine: 2AM4Y41
• Dimensioni dei file: 7,1 MB (530,2 KB Download compresso)
• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 1839 x 1358 px | 31,1 x 23 cm | 12,3 x 9,1 inches | 150dpi

Altre informazioni

Questa foto è un'immagine di pubblico dominio, il che significa che il copyright è scaduto o che il titolare del copyright ha rinunciato a tale diritto. Alamy addebita un costo per l'accesso alla copia ad alta risoluzione dell'immagine.

Questa immagine potrebbe avere delle imperfezioni perché è storica o di reportage.

What to do and how to do itFor those who paint, varnish, or kalsomine . l not only be found correct, but in sufficientvariety to cover ordinary demands. Taking white-lead as a base, we can produce pale tints of thefollowing, in oil: Buff.—White, yellow ochre, burnt sienna. Blue.—White, Prussian blue. Cream.—White, medium chrome yellow. Drab.—White, umber, either burnt or raw. Fawn.—White, raw sienna, vermilion. Lilac.—White, vermilion, ultramarine. Lavender.—White, vermilion, Prussian blue. Pink.—White, crimson lake. Pink.—White, vermilion. Pink.—White, Indian red. ^ ^7 brush with the principle of our original paint-brush. The base orbutt, with its pins or wedge-siiaped projections, is enlirely ccparalefrom the handle, and is made with a hole through it of any desiredshape, to correspond with the shape of the handle which fits intbit. As a matter of fact, we use this method mainly in the manu-facture of varnish-brushes. The objection to the open space in the center is obviatedby its oval or flat shape, and also by its small size, being. much smaller than is usual in ordinary varnish-brushes. With-out doubt, varnish-brushes made in this way are stronger thanany others, except some high-cost brushes with which extraordinarypains are taken in the manufacture. It is immeasurably strongerand superior to varnish-brushes made with a disk or butt insertedin the ferrule, but without any patent mechanical connection withthe bristles. Nearly all our varnish-brushes, including the cheapest lines, aremade under this J)atent, ^ - Peach.—White, vermilion, yellow ochre. Salmon.—White, , vermilion and yellow, or yellow ochre. Straw.—White, chrome yellow. Stone.—White, yellow ochre, umber. DEEP TINTS. Brown.—White, Prussian blue, Venetian red. Brown.—White, purple brown, lake. Brown.—White, indigo, yellow ochre, vermilion. Chocolate.—White, lake, black, purple brown. Green.—White, yellow ochre, indigo. Green.—White, sienna, Prussian blue. Green.

Parole chiave associate all'immagine

• bookcentury1800
• bookdecade1880
• booksubjectvarnish
• bookyear1883