Due Torchères 1692 Juan Dolivar incisione e incisione spagnola con disegni per due torchères, creato da Juan Dolivar su disegni di Jean i Berain. Affidati dal 1680 a disegni per costumi, scenografie e cerimonie reali all'Academie Royale de la Musique, le ingegnose creazioni di Berain hanno preso foglie d'acanto e d'alloro, palme e grottesche, mescolandole con ballerini, acrobati, scimmie e satiri, per creare il proprio mondo teatrale, fantasioso e teatrale. I suoi disegni furono moltiplicati e diffusi per mezzo di incisioni, i suoi motivi di design e oggetti di modo divenendo altamente influenti

• Collaboratore: MET/BOT / Alamy Foto Stock
• ID dell’immagine: 2HHAG48
• Dimensioni dei file: 26,1 MB (2,9 MB Download compresso)
• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 2500 x 3648 px | 21,2 x 30,9 cm | 8,3 x 12,2 inches | 300dpi
• Data acquisizione: 22 gennaio 2022

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Two Torchères 1692 Juan Dolivar Spanish Etching and engraving with designs for two torchères, created by Juan Dolivar after designs by Jean I Berain. Entrusted with drawings for costumes, stage sets, and royal ceremonies at the 'Academie Royale de la Musique' since 1680, Berain's ingenious creations took acanthus and laurel leaves, palmettes and grotesques, mixing them with dancers, acrobats, monkeys and satyrs, to create his own, imaginative, theatrical world. His designs were multiplied and disseminated by means of engravings, his design motifs and manner objects becoming highly influential in the closing years of the seventeenth century.The first torchère, on the left, contains a base with an armed Minerva, also wearing a helmet, sitting in the central panel, dressed with draping garments, her feet undressed, and a thin cornucopia falling from her hand, and holding a small bundle of fruits and leaves that stands next to her foot, with two side panels on her sides, framed with S-curves, each holding a small ornamental vase, and with smaller panels with classical scenes standing to her sides. Above her, and flanking the upper part of the base is a semi-circle with a rosette, framed by Greek scrolls and tassels. Upon it stands a thin ornamental vase, flanked to the sides by two winged female sphinges, holding the pedestal, which is made up of a small box with another classical scene, upon which stands a rectangular column, with a roundel of laurel leaves and a side-portrait of a classical male figure, a rectangular frame with a classical scene under it, and flanked to the sides by two columns with grotesques and female busts. Upon this column stands another ornamental vase, decorated with thin garlands of leaves, interlacing strapwork, and tassels, flanked above by a sphere of acanthus leaves, which opens up to create a round sconce on the upper part of the torchère.The second design consists of a base with two legs made up of scrolling strapwork, decorated with