2990 x 4502 px | 25,3 x 38,1 cm | 10 x 15 inches | 300dpi
Data acquisizione:
2011
Altre informazioni:
During this period the arrival of the chimney stack, and enclosed hearths resulted in the decline of the great hall based around an open hearth which was typical of earlier medieval architecture. Instead, fireplaces could now be placed upstairs and it became possible to have a second storey that ran the whole length of the house. Tudor chimney-pieces were made large and elaborate to draw attention to the owner's adoption of this new technology, and the jetty appeared, as a way to show off the modernity of having a complete, full-length upper floor. The style of large houses moved away from the defensive architecture of earlier moated manor houses, and started to be built more for aesthetics. For example, quadrangular, 'H' or 'E' shaped plans became more common. It was also fashionable for these larger buildings to incorporate "devices", or riddles, designed into the building, which served to demonstrate the owner's wit and to delight visitors. Occasionally these were Catholic symbols, for example, subtle or not so subtle references to the trinity, seen in three sided, triangular, or 'Y' shaped plans, designs or motifs. The houses and buildings of ordinary people were typically timber framed, the frame usually filled with wattle and daub but occasionally with brick. These houses were also slower to adopt latest trends and the great hall continued to prevail. The Dissolution of the Monasteries provided surplus land, resulting in a small building boom, as well as a source of stone.
