1698 x 3000 px | 14,4 x 25,4 cm | 5,7 x 10 inches | 300dpi
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Byzantine 13th Century, Enthroned Madonna and Child, 13th century, tempera on panel, Gift of Mrs. Otto H. Kahn During the thirteenth century, the art of the Catholic West and Orthodox East intermingled, resulting in a Byzantine style in Italy. This icon or "holy image, " probably painted by a Greek artist working in Italy, is a perfect example of this fusion. Known also as the "Kahn Madonna" from the name of the previous owner, the large panel represents a full-length figure of Mary enthroned as Queen of Heaven. She holds the infant Christ who, true to medieval convention, is a miniature adult. In the flanking medallions, archangels hold orbs and scepters, emphasizing Mary's imperial role. In this, the "Hodegetria" type of Madonna, she directs the viewer's attention to Christ, thus pointing the way to salvation. There are distinct similarities in style and subject matter between this painting and the Byzantine icons painted in the East for the Greek Orthodox Church. The graceful movement of the figures, the gold striations on the drapery which simulate shimmering light, and the flowing, rhythmic lines identify the artist as a Greek painter. But an Italian influence is notable in the tooled decoration of the halos, the perspective of the wooden throne with its high back, the delicate gradations of light and shade, and the distinctly Tuscan scheme of the rectangular panel with a full-length depiction of the enthroned Virgin.