5620 x 3733 px | 47,6 x 31,6 cm | 18,7 x 12,4 inches | 300dpi
Data acquisizione:
2007
Ubicazione:
Mill Street Chemanus, Vancouver Island. British Columbia. Canada.
Altre informazioni:
The deep blues and purples of the sea and mountains on the left flank the solemn portrait of Mill Manager John Humbird who, in 1924, oversaw the building of the fourth Chemainus mill, one of the largest of its kind in the world. The mural symbolizes the rivalry and relationship between Humbird and another powerful character in Chemainus history, H. R. MacMillan. The lumber baron, whose company purchased the huge fourth mill pictured in the mural in the 1940's, appears at the centre of the painting. After the takeover of the mill, the word "manufacturing" was dropped from the name, and it became simply the Victoria Lumber Co. The closed door below MacMillan represents the mill office door, behind which took place much of the history of the mill's success over the years. The mural is bordered on the right by images of both the wealth of the natural forest and the richness of its harvest, the wood products which made many fortunes. As an artist used to working big (many of her canvases are nearly mural size), Constance Greig-Manning was thrilled by her first mural experience. Working out in the open air, collaborating with her husband as her assistant, and meeting and talking with innumerable passers-by opened a new and exciting artistic realm for her. Greig-Manning lives and works in Kenilworth, Ontario, with husband and business manager, Bill Manning. She has been painting since she was a child, and was encouraged to become an artist in high school. She followed up with studies in experimental art at the University of Calgary. Since then, Greig-Manning has moved back towards a more traditional artistic style, and is recognized for her expertise in portraiture. The challenge for her in The Lumber Barons
Disponibile solo per utilizzo editoriale.
Uso relativo a notizie, recensioni e critiche e alla comunicazione di informazioni che riguardano persone, luoghi, cose, eventi o avvenimenti.
Per maggior chiarezza, l'uso editoriale non include alcun uso relativo a pubblicità, promozione (ad esempio siti web promozionali), marketing, packaging o merchandising.
