5200 x 3467 px | 44 x 29,4 cm | 17,3 x 11,6 inches | 300dpi
Data acquisizione:
2008
Ubicazione:
Hong Kong
Altre informazioni:
Cantonese opera has much in common with other Chinese theatre genres. Commentators often take pride in the idea that all Chinese theatre styles are but minor variations on a pan-Chinese music-theater tradition, and that the basic features or principles are consistent from one local performance form to another. Thus, music, singing, martial arts, acrobatics and acting all feature. Most of the plots are based on Chinese history and famous Chinese classics and myths. The culture and philosophies of the Chinese people can be seen in the plays. Virtues like loyalty, moral, love, patriotism and faithfulness are often reflected by the operas. Some particular features of Cantonese opera are: Chihng sik sin: formulaic, formalized Heui yih sing: abstraction of reality, distancing from reality Sin mihng sing: clear-cut, distinct, unambiguous, well-defined Jung hahp ngaih seuht yihngsik: a composite or synthetic art form Sei gung ng faat (四功五法, pinyin: sì gōng wǔ fǎ; jyutping: sei3 gung1 ng5 faat3) : the four skills and the five methods, a simple codification of the basic skills and techniques of acting and singing. The "four skills" and "five methods" are a simple codification of the areas of special training for theatre performers, and also stand as something of a metaphor for the most well-rounded and thoroughly trained performers. The "four skills" apply to the whole spectrum of vocal and dramatic training: singing, acting and movement, delivery of the "speech-types" and martial and "gymnastic skills, " while the five methods are categories of techniques associated with specific body parts: hands, eyes, body, hair, feet or walking techniques.
