Golosità. Cultura: fiamminga di Bruxelles. Progettista: Pieter Coecke Van Aelst (Netherlandish, Aelst 1502-1550 Bruxelles). Dimensioni: H 153 x W. 267 pollici 388.6 x 678.2 cm. Data: tra ca. 1550 e 1560. Il grande artista del Rinascimento, Pieter Coecke Van Aelst, concepito questa serie come una spettacolare processione dei peccatori sparse in sette arazzi della scala monumentale. Ogni arazzo è dedicato a un particolare vice o il Cardinale Sin, rappresentata in forma femminile a cavallo di un carrello, circondati da un variopinto corteo di personalità della storia classica, la mitologia e la Bibbia, che incorpora la corr

• Collaboratore: Album / Alamy Foto Stock
• ID dell’immagine: PB2MF4
• Dimensioni dei file: 30,1 MB (2,4 MB Download compresso)
• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 4346 x 2420 px | 36,8 x 20,5 cm | 14,5 x 8,1 inches | 300dpi
• Fotografo: Album

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Gluttony. Culture: Flemish, Brussels. Designer: Pieter Coecke van Aelst (Netherlandish, Aelst 1502-1550 Brussels). Dimensions: H. 153 x W. 267 inches 388.6 x 678.2 cm. Date: Between ca. 1550 and 1560. The great Renaissance artist, Pieter Coecke van Aelst, conceived this series as a spectacular procession of sinners spread across seven tapestries of monumental scale. Each tapestry is dedicated to a particular vice, or Cardinal Sin, represented in female form riding a carriage, surrounded by a colorful retinue of personalities from classical history, mythology and the Bible, embodying the corruption in question. Here, winged Gluttony, wine-leaves in her hair, seated in her harpy-drawn chariot, is preceded by the gourmands Cleopatra, Alexander the Great and Silenus, whilst young Bacchus leads the way. In the background, the Old Testament heroine, Judith, can be seen dispatching the drunken Holofernes, in a vignette of the virtue of Temperance overcoming its sinful counterpart. Although it is not known who owned this particular tapestry, many editions of Coecke's Seven Deadly Sins series were woven in Brussels and were acquired by great collectors like Henry VIII, King of England and Mary of Hungary, Governor of the Habsburg Netherlands. Although the palette remains so strikingly intense, recent technical analysis reveals that the dyes, metal-wrapped threads and weaving technique are all synonymous with mid-sixteenth century production. This border was added during a later, probably nineteenth-century, restoration. Museum: Metropolitan Museum of Art, New York, USA.

Parole chiave associate all'immagine

• 8-10 per cm
• arazzi
• argento
• belgio
• bruselas
• bruxelles
• europa
• filo d'argento dorato 19-23 fili per pollice
• gilt
• in metallo
• lana
• scultura europea e arti decorative
• seta
• tessile-arazzi
• tessili