Guarnizione di tenuta del cilindro. Cultura: babilonese. Dimensioni: 0,94 in. (2.39 cm). Data: ca. 18-xvii secolo A.C. Sebbene pietre incise era stato utilizzato come presto come il settimo millennio a.c. per timbri in argilla, il trovato nel quarto millennio A.C. intagliato di cilindri che potrebbe essere arrotolato su argilla ha consentito lo sviluppo di più complesse progettazioni di tenuta. Queste guarnizioni del cilindro, utilizzato per la prima volta in Mesopotamia, servita come un marchio di proprietà di identificazione o. Le guarnizioni di tenuta sono state impresse su blocchi di argilla che sono state utilizzate per la chiusura di vasetti, sportelli e ceste, oppure sono stati laminati su tavolette di argilla che rec

• Collaboratore: Album / Alamy Foto Stock
• ID dell’immagine: PB1CD3
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• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 4400 x 3182 px | 37,3 x 26,9 cm | 14,7 x 10,6 inches | 300dpi
• Fotografo: Album

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Cylinder seal. Culture: Babylonian. Dimensions: 0.94 in. (2.39 cm). Date: ca. 18th-17th century B.C.. Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography. The modern impression of the seal is shown so that the entire design can be seen. This seal features a three line inscription and a scene with the goddess Ishtar, who is shown wearing an open robe and holding a mace in her raised right hand and a scimitar in her left. Weapons emerge from her shoulders and she stands on a lion-headed eagle. Facing her is a man with a mace standing on a platform and behind him stands a suppliant goddess. Presentation scenes - featuring a worshipper before a deity or ruler - were common motifs on seals of the Old Babylonian period. The use of hematite, a dark colored hard stone, is another characteristic of seal production in this period. Museum: Metropolitan Museum of Art, New York, USA.

Parole chiave associate all'immagine

• ancient near eastern art
• asia
• cylinder seals
• ematite
• irak
• mesopotamia
• old babylonian
• roccia
• rocky
• sasso
• seals
• sigilli di pietra-cilindro-inscritti