. Inglese di elementi in ferro battuto del XVII e XVIII secolo; uno storico & analytical conto dello sviluppo esterno smithcraft. ngement di pannelli. Adrawing di questo con il fine di ringhiera laterale, di Maurice S. Adams,è stata effettuata in quanto la scomparsa della finials, riportatoin in precedenza disegno da Norton. La casa prende il nome dalla famiglia theWalpole, e viene detto da Walford a sono state residenceof Barbara, duchessa di Cleveland, morto nel 1709 e fu buriedin il presbiterio della chiesa di Chiswick. Una lampada che deturpa il rovesciamento.Un altro gate precedentemente a Chiswick, con una centrale di lira-patternpanel

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. English ironwork of the XVIIth & XVIIIth centuries; an historical & analytical account of the development of exterior smithcraft. ngement of panels. Adrawing of this with the fine side railing, by Maurice S. Adams, has been made since the disappearance of the finials, shown inthe earlier drawing by Norton. The house is named from theWalpole family, and is said by Walford to have been the residenceof Barbara, Duchess of Cleveland, who died in 1709 and was buriedin the chancel of Chiswick Church. A lamp disfigures the overthrow.Another gate formerly at Chiswick, with a central lyre-patternpanel, repeated in a somewhat simpler and narrower form in thepilasters, had also the whole of the overthrow removed to makeway for a lamp holder. Another gate has a much richer panel in the centre than thoseof the pilasters. The pyramids in this case have been destroyedto form a lamp holder, and in a further example, where thecentral panel is richer than those of the pilasters, the overthrowsare replaced by plain spikes and cast vases. The decorativevalue of gates is frequently enhanced by the substitution of a London Gates ?47. FIG. 53. LATIMER HOUSE, CHURCH LANE, CHISWICK. Drawn by maurxce s. adams. 148 English Ironwork ofthe XVIIth and XVIIIth Centuries central panel of scrolls for plain bars, as those just described.For our knowledge of these, and of two others without localities, we are indebted to Nortons sketches. All appear to be hythe smith who made the gate for Walpole House. A lastexample by a different smith has the three panels identical, thepilasters or side panels being wider than usual. They are chieflyformed of scrolls, the salient feature being a stepped rectangularfigure presenting an unusual effect over an equally unusual lock-rail, with five panels below, apparently cut down to fit the gateto its present position between piers, and under a lean-to coveredway, on the Twickenham Road. The pyramids of the pilastersmerge in the overthrow, on a base of horizontal scr

Parole chiave associate all'immagine

• bookcentury1900
• bookdecade1910
• bookpub
• booksubjectarchitecture