. John Pettie, R.A., H.R. S.A.S.; . una giubba attraverso il loro scudiero al suo compagno più coyand demure. C'è una fresca galleggianyin nel trattamento di un tema pieno di natura non forzata e inconscia. Ricco di puro umorismo è RejectedAddresses (1870). Un anziano suitor, di un aspetto floreale, con un cappotto blu con bottoni dorati, è in ginocchio, e riceve con spudorata terespectful cuttsey con cui la sua proposta è rifiutata. Per questa dolce cameriera era piuttosto troppo vecchio.trifling, forse, nel soggetto, l'immagine ha fascino di tutti i Petties di colore e spazzolatura fluente. La sua variegata realizzazione e unesita

• Collaboratore: Reading Room 2020 / Alamy Foto Stock
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• Dimensioni: 1282 x 1950 px | 21,7 x 33 cm | 8,5 x 13 inches | 150dpi

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. John Pettie, R.A., H.R.S.A.; . a jest across their squire at her more coyand demure companion. There is fresh buoyancyin the treatment of a theme full of unforced, un-conscious nature. Rich in pure humour is RejectedAddresses (1870). An elderly suitor, of a floridcountenance, wearing a blue coat with gilt buttons, is on his knees, and receives with dismay therespectful curtsey with which his proposal is refused. For this sweet little maid he was rather too old.Trifling, perhaps, in subject, the picture has allPetties charm of colour and fluent brushwork. His varied accomplishment and unhesitatingprogress find proof in his Academy exhibits of thefollowing years. His principal work in 1871 was*A Scene in the Temple Gardens. That thescene is based on Shakespeares Henry VI, andhas no actual place in history is of little moment.Round the rose-bushes are gathered the figures ofSuffolk, Somerset, Warwick, Vernon, and Plan-tagenet, clad in the long fur-trimmed robes of their REJECTED ADDRESSES (_Size of original, 27 X 38.). ASSOCIATE: 1866-1873 91 time. Richard, Duke of York, standing on theleft, plucks a white rose, and calls on his followersto pluck a similar flower. The Duke of Somerset, boldly fronting him, gathers a red rose, and com-mands the supporters of the Duke of Lancasterto do the like. As they pluck the flowers, theyprovoke Warwicks prophecy: This brawl to-day, Grown to this faction in the Temple-Garden^Shall send between the red rose and the whiteA thousand souls to death and deadly night. The thoughtful lawyer in the rear seems to foreseethe disastrous future. The work is impressivefrom the air of dignity with which the subject hasbeen invested, and gains in impressiveness fromthe sombre and frowning walls of the Templebuildings that form a grey background to the richcostumes. Two lighter works, The Love Song and The Pedlar, were shown in the same year.The first is a figure of a troubadour, exhibiting theartists powerful command of varying tones of redin the r

Parole chiave associate all'immagine

• bookcentury1900
• bookdecade1900
• bookpublisherlondonaandcblack