La didascalia dei primi anni '1900s recita: 'Maria Antonietta e i suoi figli - a Versailles. L'ultimo ritratto che Vigee le Brun dipinse della regina condannata fu la tela che pende a Versailles conosciuta come “Maria Antonietta e il suo bambino” in cui la regina si vede seduta accanto a una culla con il bambino Duca di Normandia sul ginocchio, La piccola Madame royale al suo fianco, e il piccolo Delfino che punta nella culla. Quando le porte del Salone del 1788 furono aperte, il dipinto non fu ancora finito e per alcuni giorni la cornice riservata ad esso rimase vuota. Era alla vigilia di quello che doveva essere beco

• Collaboratore: Ivy Close Images / Alamy Foto Stock
• ID dell’immagine: 2R5MM54
• Dimensioni dei file: 53,8 MB (3,1 MB Download compresso)
• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 3844 x 4890 px | 32,5 x 41,4 cm | 12,8 x 16,3 inches | 300dpi
• Data acquisizione: 1 settembre 2020

Altre informazioni

Questa immagine potrebbe avere delle imperfezioni perché è storica o di reportage.

The early 1900s caption reads: "Marie Antoinette and her Children - at Versailles. The last portrait that Vigee Le Brun painted of the doomed queen was the canvas that hangs at Versailles known as “Marie Antoinette and Her Childrem” in which the queen is seen seated beside a cradle with the baby Duke of Normandy on her knee, the little Madame royale at her side, and the small Dauphin pointing into the cradle. When the doors of the Salon of 1788 were thrown open, the painting was not quite finished and for some days the frame reserved for it remained empty. It was on the eve of what was to become the Revolution, and the country was speaking now in no hushed whispers of the public deficit of the nation’s treasury, and gazing bewildered at the bankruptcy that threatened the land. The empty fame drew forth the bitter jest: 'Voila le deficit!'" Elisabeth Louise Vigee Le Brun (1755-1842), also known as Madame Le Brun, was a French portrait painter, especially of women, in the late 18th and early 19th centuries. Her artistic style is generally considered part of the aftermath of Rococo with elements of an adopted Neoclassical style. She gained renown in particular for her self-portraits and depictions of courtly women, especially Queen Marie Antoinette.

Parole chiave associate all'immagine

• 1700s
• 18mo secolo
• 19 century
• arte francese
• artista francese
• bambini luigi xvi
• bambini maria antonietta
• bambini maria antonietta versailles
• corriere della sera 1800
• dauphin louis xvi
• dauphine vigée le brun
• delfino maria antonietta
• female painter
• french portrait painter
• luigi xvi maria antoinette
• madame le brun
• madame royale marie unzione
• madame vigee le brun e bambino
• maria antonieta
• neoclassico style
• pittore francese
• ritratti reali francesi
• rococo style
• versailles
• vigee le brun
• vigee le brun marie antoinette
• woman painter