La Mano : il suo meccanismo vitale e dotazioni, come manifestare la progettazione, e che illustra la potenza, la saggezza e la bontà di Dio . allshow la necessità di combinare il muscolare Actionwith l'esercizio dei sensi, e soprattutto con quelladi touch, a costituire la mano, quello che è stato chiamato,senso geometrico. Vorrei descrivere l'organo oftouch, la cuticola e la pelle e organizzare i nervi della mano in base alle loro funzioni. Vorrei theninquire nella corrispondenza tra la capacitiesor doti di mente e gli organi esterni,e più in particolare le proprietà di ha

• Collaboratore: The Reading Room / Alamy Foto Stock
• ID dell’immagine: 2AM39YA
• Dimensioni dei file: 7,2 MB (656,7 KB Download compresso)
• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 1892 x 1321 px | 32 x 22,4 cm | 12,6 x 8,8 inches | 150dpi

Altre informazioni

Questa foto è un'immagine di pubblico dominio, il che significa che il copyright è scaduto o che il titolare del copyright ha rinunciato a tale diritto. Alamy addebita un costo per l'accesso alla copia ad alta risoluzione dell'immagine.

Questa immagine potrebbe avere delle imperfezioni perché è storica o di reportage.

The hand : its mechanism and vital endowments, as evincing design, and illustrating the power, wisdom, and goodness of God . allshow the necessity of combining the Muscular Actionwith the exercise of the senses, and especially with thatof touch, to constitute the hand, what it has been called, the geometrical sense. I shall describe the organ oftouch, the cuticle and skin, and arrange the nerves ofthe hand according to their functions. I shall theninquire into the correspondence between the capacitiesor endowments of the mind, and the external organs, and more especially the properties of the hand. AndI shall conclude by showing that animals have beencreated with a reference to the globe they ijiliabit; thatall their endowments and various organisation bear arelation to their state of existence, and to the elementsaround them ; that there is a plan universal, extending INTRODUCTORY CHAPTER. 17 through all animated nature, and which has prevailedin the earhest condition of the world; and finally, thaton the most minute, or the most comprehensive, studyof those subjects, we everywhere behold Prospective Design.. CHAPTER II. DEFINITION OF THE HAND, THE ARMS AND HAND/ VAKIOUSLT MODIFIED, ADAPTED TO AN EXTENSIVESYSTEM OF ANIMALS. We ouglit to define the Hand as belonging exclusivelyto Man—corresponding in its sensibility and motionto the endowments of his Mind, and especially to thatingenuity which, through means of it, converts thebeing who is the weakest in natural defence, to be theruler over animate and inanimate nature. If we describe the hand, including the arm, as anextremity in which the thumb and fingers are opposedto each other, so as to form an instrument of prehension, we embrace in the definition the extremities of thequadrumana or monkeys. Now, as these animalspossess four such hands, it impHes that we include theposterior as well as the anterior extremities. But theanterior extremity of the monkey is as much a foot asthe posterior extremity is a hand: both

Parole chiave associate all'immagine

• bo
• bookcentury1800
• bookdecade1870
• booksubjecthand
• bookyear1874