La storia di American textiles : con parentela e industrie ausiliari (illustrata) . realizzato con un ribbedsurface. Per uso come un tappeto per la prima volta è stata 95 STORIA DI AMERICAN tessili. Realizzato in Inghilterra tra 1 740 e i 750.Wilton effetto è stato realizzato in Francia Flandersand prima era fatta a Wilton,Inghilterra, nella metà del XVIII cen-tury, ma deriva il suo nome dal latterplace. Non vi è alcuna differenza in manu- mostra sulla superficie per formare il pattern,tutti gli altri colori sono al di sotto di esso sulretro, dando così il tessuto corporeo o thick-ness e indossando la qualità, quindi il namebody Bruxelles. T

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History of American textiles : with kindred and auxiliary industries (illustrated) . made with a ribbedsurface. For use as a carpet it was first 95 HISTORY OF AMERICAN TEXTILES. made in England between 1 740 and I 750.The Wilton effect was made in Flandersand France before it was made in Wilton, England, in the middle of the 18th cen-tury, but derived its name from the latterplace. There is no difference in the manu- shows on the surface to form the pattern, all the other colors are under it on theback, thus giving the fabric body or thick-ness and wearing quality, hence the namebody Brussels. The Wilton is madeheavier than the Brussels and is the best Body Brussels facture and quality of materials used inbody Brussels and Wilton, but the loopedsurface of the Brussels is made by weavingthe yarn over a round wire of which thereare several ready in the loom. Body Brus- domestic fabric for endurance. It looksdarker and richer than the Brussels, eventhough of the same yarns and patterns, be-cause the cut pile absorbs more light. Aroom with a high ceiling is better adapted ^. sels was perhaps by far the most importantkind of carpet for many years, but therehas been for some time a growing prefer-ence for the Wilton. In weaving Wiltonthe wire used has a sharp, knife-edge at to a pile fabric than one with a low ceil-ing. Some double Wiltons are made, thatis, the face or pile is woven thick betweentwo backs, one on top and one on thebottom, and then the pile is cut; but the llM^IH BBilin^Tiillll^ntffliil^wlWlyBiill|.p|]Ji|j||8nWll|ii|, j||B|||^ Tapestry one end which, when withdrawn, cuts theloops, making the pile or plush surface theonly material difference in the two styles.Both use the Jacquard to form the pat-terns. The important mechanical feature ofthese two grades is that where one color production is limited, owing to the dangerof uneven cutting and the spoiling of rugs, for which these are made. It cheapens theprocess somewhat and is a quicker methodof production, two

Parole chiave associate all'immagine

• bookcentury1900
• bookdecade1920
• booksubjecttextile
• bookyear1922