Lazio Latina Minturno S. Pietro. Hutzel, Max 1960-1990 Medieval: Architettura, scultura architettonica, scultura, pulpito con decorazioni in marmo e mosaico, candelabro pasquale. Questa chiesa fu costruita a metà dell'XI secolo, con aggiunte nel XIII-XIV secolo, e modifiche all'interno nel XVII secolo. Una serie di gradini conduce ad un portico, sopra il quale sorge il campanile. L'interno della chiesa è a volta con volte inguinali, ora decorato con cassettiere e decorazioni in stucco. Vicino all'altare si trovano il candelabro pasquale (1264) e il pulpito (1260),

• Collaboratore: piemags/GB24 / Alamy Foto Stock
• ID dell’immagine: 2WT6A25
• Dimensioni dei file: 89,7 MB (2,9 MB Download compresso)
• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 4904 x 6395 px | 41,5 x 54,1 cm | 16,3 x 21,3 inches | 300dpi

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Lazio Latina Minturno S. Pietro. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculpture, pulpit with marble and mosaic decoration, Paschal candelabrum. This church was built in the middle of the 11th century, with additions in the 13th-14th centuries, and alterations to the interior in the 17th century. A flight of steps leads up to a porticoed porch, above which rises the campanile. The interior of the church is vaulted with groin vaults, now decorated with coffers and stucco decoration. Near the altar are placed the Paschal candelabrum (1264) and the pulpit (1260), both decorated with multi-colored mosaics. The pulpit, in addition, has marble bas reliefs along the sides of the stairs depicting Jonah being swallowed by the whale, and on the other side, a lion swallowing a man. Sculpture. Statue of a Roman magistrate, known as "Scipione", dating from the late Roman period. Post-medieval: Stucco decoration, coffered ceiling, painting, pietra dura altar and tabernacle, crucifix, sculpture. Along the nave is the chapel of the Sacrament (1587), made of polychromed marble and gilded stucco , with a painting of the Last Supper attributed to the school of Sabatino, placed above. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.