Le nostre case e come abbellire loro . essenzialmente theroom che ha la maggior parte di thesavor di casa ed è mostexpressive di carattere nazionale.la luminosità, un aspetto soleggiato, alively, ma non troppo vivace, parete di carta, arredamento semplice, il savinggrace di alcuni bei disegni, eun pochi scaffali di libri leggibili - queste sono le note di un break-fast camera. Essa è il luogo dove la dayis iniziato, dove i giorni toneis catturati; e il tono devonoessere uno di allegria. Un uomo d'affari ,vho colazione in camera guardando outon un mews possono essere perdonati se i suoi affari andare storto e lui stesso lind in QueerStreet. Ah ! Dice qualcuno

• Collaboratore: The Reading Room / Alamy Foto Stock
• ID dell’immagine: 2AJM7W7
• Dimensioni dei file: 7,1 MB (349 KB Download compresso)
• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 1787 x 1398 px | 30,3 x 23,7 cm | 11,9 x 9,3 inches | 150dpi

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Our homes, and how to beautify them . essentially theroom which has most of thesavour of home, and is mostexpressive of national character.Brightness, a sunny aspect, alively, but not too lively, wall-paper, simple furniture, the savinggrace of a few nice drawings, anda few shelves of readable books—these are the notes of a break-fast room. It is where the dayis begun, where the days toneis caught; and the tone shouldbe one of cheerfulness. A business man , vho breakfasts in a room looking outon a mews may be forgiven if his affairs go wrong and he lind himself in QueerStreet. Ah ! says someone, how is he to help that if the window looksout on a mews ? Very easily. Put in some coloured glass—orange, becauseit counterfeits sunshine—leaded in a quaint pattern ; have some bright chintz-curtains and a window fernery, and your mews disappears, the stables areforgotten, and if the effect be not like the view of a country garden in the spring-time, still it is better than the dull, depressing unloveliness that preceded it.. FIG. 39. A DKAWING ROOM. SUITING TREATMENT TO PURPOSE. T ET us probe this matter a little further. Take the Dining Room, forinstance, the Salle a Maiigei- of our French friends. Its name indicates itspurpose, but how seldom are the surroundings suited to that purpose. TheDining Room, until a comparatively recent period, was the most sombre, not tosay the most gloomy, room in the house. Dark colours, massive furniture, aponderous chandelier, and pictures the art of which was chiefly exhibited in theirframes, were the conspicuous—the ruling and saddening features. This was theroom in which the head of the house, after the days l)usiness troubles andanxieties, had to eat the principal meal of the clay. Instead of brightness, cheerfulness, a soft and pleasing harmony, and a subtle artistic influence, there AND HOW TO BEAUTIFY THEM. was all this elephantine heaviness and funereal solemnity. Do not, please, inferthat I advocate a cold Dining Room^cold i

Parole chiave associate all'immagine

• bookcentury1900
• bookdecade1900
• booksubjectinterio
• bookyear1902