Libro dei morti per la Chantress di Amun, Nany ca. 1050 a.C. terzo periodo intermedio questo papiro faceva parte della sepoltura di Nany, una Chantress del dio Amun-Re che morì negli anni settanta. Ha anche portato il titolo di 'figlia del re', che probabilmente significa che era una figlia del Sommo sacerdote di Amun e re titolare della zona di Teban, Painedjem I. come era consuetudine durante il terzo periodo intermedio, l'attrezzatura funeraria di Nany includeva una figura cava di legno di Osiride, Che conteneva questo rotolo di papiro inscritto con le campane di una raccolta di testi chiamato il 'Libro di venire da giorno'

• Collaboratore: MET/BOT / Alamy Foto Stock
• ID dell’immagine: 2HHX23K
• Dimensioni dei file: 30,8 MB (2,1 MB Download compresso)
• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 3811 x 2828 px | 32,3 x 23,9 cm | 12,7 x 9,4 inches | 300dpi
• Data acquisizione: 19 gennaio 2022

Altre informazioni

Questa foto è un'immagine di pubblico dominio, il che significa che il copyright è scaduto o che il titolare del copyright ha rinunciato a tale diritto. Alamy addebita un costo per l'accesso alla copia ad alta risoluzione dell'immagine.

Questa immagine potrebbe avere delle imperfezioni perché è storica o di reportage.

Book of the Dead for the Chantress of Amun, Nany ca. 1050 B.C. Third Intermediate Period This papyrus was part of the burial of Nany, a Chantress of the god Amun-Re who died in her seventies. She also bore the title "king's daughter, " which probably means that she was a child of the High Priest of Amun and titular king of the Theban area, Painedjem I. As was customary during the Third Intermediate Period, Nany's funerary equipment included a hollow wooden Osiris figure, which contained this papyrus scroll inscribed with spells from a collection of texts called the "Book of Coming Forth by Day" – today usually known by its modern name, the Book of the Dead. When unrolled, this scroll is more than seventeen feet long. On the papyrus are images and texts from a number of spells. The central scene illustrates Spell 125, better known as the Judgment of Osiris or The Weighing of the Heart. Nany is in the Hall of Judgment. Holding her mouth and eyes in her hand, she stands to the left of a large scale. Her heart is weighed against Maat, embodiment of cosmic order and ethical behavior, who is represented as a tiny figure wearing a large ostrich feather, the hieroglyph that spells her name. On the right Osiris, god of the underworld and rebirth, presides over the scene. He wears the white crown of Upper Egypt, and a curved beard that identifies him as divine. Only his hands, which clasp a crook, emerge from the mummy wrappings that envelop his body. On the offering table before him is a joint of beef. Jackal-headed Anubis, god of mummification and protector of the dead, kneels to read the scales, while a baboon – representing Thoth, the god of wisdom and writing – sits on the beam of the balance and records the result. Behind Nany stands the goddess Isis, both wife and sister of Osiris. She is identified by the hieroglyph above her head. The scales balance, indicating that Nany has led an ethical life and is therefore worthy of an eternal afterlife in the company of Os