. Libro del blu reale. F più delicato auto scrivere downthese cadences più fedelmente, e thesetranscripts, benchè im])erlcrt. I)cii>nie thesong di nazioni. Per la natura è trulybeautiful come è buona, o come è reasoii- ■r usato per adorn-i ing un più idealHall, Belle Arti, il pureh- orna- e soprattutto le cascate aimental. L'eroica statua equestre di San Luigi, patrono della città che porta hisname, è intenzionalmente fatto il primo andchief del monumentale statues.Going storico fino a quando la storia e il legnCAN ci portano, veniamo a questo re di Francia, questo crociato
1475 x 1693 px | 25 x 28,7 cm | 9,8 x 11,3 inches | 150dpi
Altre informazioni:
Questa immagine potrebbe avere delle imperfezioni perché è storica o di reportage.
. Book of the Royal blue . f more delicate car write downthese cadences more faithfully, and thesetranscripts, though im])erlcrt. I)cii>nie thesongs of nations. For nature is as trulybeautiful as it is good, or as it is reasoii- ■r used for adorn-i ing a more idealHall, Fine Arts, the pureh- orna- and especially aimental cascades. The heroic equestrian statue of St. Louis, patron saint of the city which bears hisname, is intentionally made the first andchief of the monumental historical .statues.Going as far back as history and legendcan take us, we come to this King ofFrance, this Crusader, during whose reignand during the Crusades were reared thosehulw.irks (if religion and social order uponwhich the i)illars of our present, socialand political, rest. With this key-note• statue in mind, it will meanhing iiuue than so much plasterand staff, moulded to represent moreor less nearly the forms of man andhorse, as they appear to us in this day.In the court between the VariedIndustries and Manufactures Build-. .P0THE0, SIS OF ST. LOUIS, able, and must as sucii appear as it mustbe done or must be made. Among the millions who will visit theFair, those among them who have a dropof the spirit of Emersons thought quotedabove, will see in the sculpture not tliemere reproduction of forms from life, liutwould see the logic and sequence of thehistorical and allegorical character of thevarious statues and groups which adorn thebuildings and grounds. The historical sub.jects in the form ofportrait statues and the like are groupedin connection with the buildings devotedto the more material side of the Exposition. From the ■■Snutli-WcsternV Book. ings and in front of the entrance to theManufactures Building is a statue of LouisJoliet, on the opposite side an equestrianstatue of Ferdinand De Soto. These wereselected as representatives of the twonations who were connected with the his-tory of the region of which the LouisianaPurchase forms a part. Following this idea farther