Little Falls a Luzerne (n. 1 del Fiume Hudson portafoglio). Artista: dopo William Guy parete (irlandese, Dublino 1792-dopo il 1864 Irlanda (attivo America). Dimensioni: Immagine: 14 1/16 x 20 3/16 in. (35,7 x 51,3 cm) foglio: 19 x 24 1/2 in. (48,3 x 62,2 cm). Incisore: John Hill (American (nato in Inghilterra), Londra 1770-1850 Clarksville, New York). Editore: Henry J. Megarey (American 1818-1845, New York). Serie/portafoglio: il fiume Hudson portafoglio. Data: 1822-23. Questa vista ai piedi delle colline di Adirondacks centri su dieci-foot drop in Hudson presso la frazione di Luzerne (ora Lake Luzerne), e lo

• Collaboratore: Album / Alamy Foto Stock
• ID dell’immagine: PAPH6Y
• Dimensioni dei file: 39,1 MB (2 MB Download compresso)
• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 4200 x 3258 px | 35,6 x 27,6 cm | 14 x 10,9 inches | 300dpi
• Fotografo: Album

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Little Falls at Luzerne (No. 1 of The Hudson River Portfolio). Artist: after William Guy Wall (Irish, Dublin 1792-after 1864 Ireland (active America)). Dimensions: Image: 14 1/16 x 20 3/16 in. (35.7 x 51.3 cm) Sheet: 19 x 24 1/2 in. (48.3 x 62.2 cm). Etcher: John Hill (American (born England), London 1770-1850 Clarksville, New York). Publisher: Henry J. Megarey (American, 1818-1845 New York). Series/Portfolio: The Hudson River Portfolio. Date: 1822-23. This vista in the foothills of the Adirondacks centers on a ten-foot drop in the Hudson near the hamlet of Luzerne (now Lake Luzerne), and looks back towards the peaks where the great water course originates. The aquatint comes from the Hudson River Portfolio, a monument of American printmaking produced through the collaboration of artists, a writer, and publishers. In the summer of 1820, the Irish-born William Guy Wall toured and sketched along the Hudson, then painted a series of large watercolors. Prints of equal scale were proposed--to be issued to subscribers in sets of four--and John Rubens Smith hired to work the plates. Almost immediately, Smith was replaced by the skilled London-trained aquatint engraver John Hill, who finished the first four plates, and produced sixteen more by 1825. Over the next decade, the popularity of the Portfolio stimulated new appreciation for American landscape, and prepared the way for the Hudson River School. Museum: Metropolitan Museum of Art, New York, USA.

Parole chiave associate all'immagine

• 19 century
• acquatinta stampata a colori con colorazione a mano
• annuncio del secondo millennio
• aquatint
• disegni e stampe
• dopo il muro del ragazzo di william
• etched engraving
• etching
• metropolitan museum of art
• new york
• nord e america centrale
• primo stato di due
• stampe
• stati unuiti