Mix di giornali del tempo della seconda guerra mondiale, Daily Express, Daily Sketch & Picture Post - incursione nazista a Londra e 13 città, Winston Back, Kiel bombardato
5472 x 3228 px | 46,3 x 27,3 cm | 18,2 x 10,8 inches | 300dpi
Data acquisizione:
27 maggio 2023
Ubicazione:
London, England, UK
Altre informazioni:
The Daily Sketch was a British national tabloid newspaper, founded in Manchester in 1909 by Sir Edward Hulton, 1st Baronet. In 1920, Lord Rothermere's Daily Mirror Newspapers bought the Daily Sketch. In 1925 Rothermere, sold it to William and Gomer Berry (later Viscount Camrose and Viscount Kemsley). It was owned by a subsidiary of the Berrys' Allied Newspapers from 1928 (renamed Kemsley Newspapers in 1937 when Camrose withdrew to concentrate his efforts on The Daily Telegraph). In 1946, it was merged with the Daily Graphic. In 1952, Kemsley decided to sell the paper to Associated Newspapers, the owner of the Daily Mail, who promptly revived the Daily Sketch name in 1953. The paper struggled through the 1950s and 1960s, never managing to compete successfully with the Daily Mirror, and in 1971 it was closed and merged with the Daily Mail. In 1954, an infamous cartoon titled "Family Portrait?" was published in the paper which mocked Billy Strachan, a black British civil rights leader, for his anti-colonial and anti-imperialist beliefs. The cartoon depicted him with devil horns representing the Caribbean Labour Congress. He also posed with Hewlett Johnson and Paul Robeson, all of whom stood underneath a portrait of the then recently deceased Soviet dictator Joseph Stalin. The Sketch was Conservative in its politics and populist in its tone during its existence through all its changes of ownership. In some ways, much of the more populist element of today's Daily Mail was inherited from the Sketch: before the merger, the more serious Mail, previously a broadsheet, also espoused right-wing politics. The Sketch notably launched a moral panic over Daniel Farson's 1960 television documentary Living for Kicks, a portrait of British teenage life at the time, which led to a war of words between the Sketch and the Daily Mirror. It also participated in the press campaign against the screening of the BBC film The War Game
