Newburg [Newburgh] (n. 14 del Fiume Hudson portafoglio). Artista: dopo William Guy parete (irlandese, Dublino 1792-dopo il 1864 Irlanda (attivo America). Dimensioni: Immagine: 14 1/16 x 20 3/16 in. (35,7 x 51,3 cm) foglio: 19 x 24 1/2 in. (48,3 x 62,2 cm). Incisore: John Hill (American (nato in Inghilterra), Londra 1770-1850 Clarksville, New York). Editore: Henry J. Megarey (American 1818-1845, New York). Serie/portafoglio: il fiume Hudson portafoglio. Data: 1825. Newburgh siede sulla riva occidentale del fiume, circa sessanta sei miglia a sud di Hudson e entro le higlands. Giovanni Agg correlato di note di testo che, 'n.

• Collaboratore: Album / Alamy Foto Stock
• ID dell’immagine: PB1N66
• Dimensioni dei file: 39,1 MB (1,5 MB Download compresso)
• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 4200 x 3252 px | 35,6 x 27,5 cm | 14 x 10,8 inches | 300dpi
• Fotografo: Album

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Newburg [Newburgh] (No. 14 of The Hudson River Portfolio). Artist: after William Guy Wall (Irish, Dublin 1792-after 1864 Ireland (active America)). Dimensions: Image: 14 1/16 x 20 3/16 in. (35.7 x 51.3 cm) Sheet: 19 x 24 1/2 in. (48.3 x 62.2 cm). Etcher: John Hill (American (born England), London 1770-1850 Clarksville, New York). Publisher: Henry J. Megarey (American, 1818-1845 New York). Series/Portfolio: The Hudson River Portfolio. Date: 1825. Newburgh sits on the west bank of the river, about sixty-six miles south of Hudson and within the Higlands. John Agg's related text notes that, "no site could have been selected for a village, which possesses so many striking advantages. A very great and profitable trade has been consequently established here, which is also the depository and outlet for large quantities of produce constantly arriving from the interior, " giving employment to about fifty vessels.The print comes from the Hudson River Portfolio, a monument of American printmaking produced through the collaboration of artists, a writer, and publishers. In the summer of 1820, the Irish-born Wall toured and sketched along the Hudson, then painted a series of large watercolors. Prints of equal scale were proposed--to be issued to subscribers in sets of four--and John Rubens Smith hired to work the plates. Almost immediately, Smith was replaced by the skilled London-trained aquatint engraver John Hill, who finished the first four plates, and produced sixteen more by 1825. Over the next decade, the popularity of the Portfolio stimulated new appreciation for American landscape, and prepared the way for the Hudson River School. Museum: Metropolitan Museum of Art, New York, USA.

Parole chiave associate all'immagine

• acquatinta stampata a colori con colorazione a mano
• aquatint
• disegni e stampe
• dopo il muro del ragazzo di william
• etched engraving
• etching
• nord e america centrale
• primo stato di due koke
• stampe
• stati unuiti