Odilon Redon. (Francese, 1840-1916). Antoine: Quel est le but de tout cella? Le Diable: Il n'y a pas de But! (Anthony: Qual è il punto di tutto questo? Il

• Collaboratore: JJs / Alamy Foto Stock
• ID dell’immagine: 2FM9JX5
• Dimensioni dei file: 76,6 MB (3,3 MB Download compresso)
• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 4500 x 5947 px | 38,1 x 50,4 cm | 15 x 19,8 inches | 300dpi
• Data acquisizione: 12 marzo 2014
• Ubicazione: France

Altre informazioni

Questa foto è un'immagine di pubblico dominio, il che significa che il copyright è scaduto o che il titolare del copyright ha rinunciato a tale diritto. Alamy addebita un costo per l'accesso alla copia ad alta risoluzione dell'immagine.

Odilon Redon (born Bertrand Redon; French: [ɔdilɔ̃ ʁədɔ̃]; 20 April 1840 – 6 July 1916) was a French Symbolist artist. Early in his career, both before and after fighting in the Franco-Prussian War, Redon worked almost exclusively in charcoal and lithography, works known as his noirs. He gained recognition after his drawings were mentioned in the 1884 novel À rebours (Against Nature) by Joris-Karl Huysmans. During the 1890s, Redon began working in pastel and oil, which quickly became his favorite medium, abandoning his previous style of noirs completely after 1900. He developed a keen interest in Hindu and Buddhist religion and culture, which increasingly showed in his work. Redon is perhaps best known today for the dreamlike paintings created in the first decade of the 20th century, which were inspired by Japanese art and leaned toward abstraction. His work is considered a precursor to Surrealism. (Wikipedia)

Parole chiave associate all'immagine

• arte in bianco e nero
• carbone di legna
• illustrazione
• noir
• noirs
• odilon
• odilon art
• odilon redon
• odilon redon art
• opera artistica
• opera d'arte odilon
• pittore simbolista
• redon
• simbolista