Scena di rilievo dalla tomba della regina Neferu: Frammenti da due registri che mostrano gli assistenti maschili e femminili che si muovono a destra ca. 2051–2030 a.C. Regno di mezzo Neferu fu probabilmente la prima regina di Nebhepetre Mentuhotep II, e forse anche sua sorella. La sua tomba saccheggiato, scavata dal Metropolitan Museum of Art tra il 1923 e il 1931, si trova al di fuori della zona del tempio del re a Deir el Bahri. E 'stato visitato come un santuario nella XVIII dinastia, e ad un certo punto è stato utilizzato come una cava per la pietra calcarea fine che copre le pareti. La decorazione degli appartamenti funerari consisteva a

• Collaboratore: MET/BOT / Alamy Foto Stock
• ID dell’immagine: 2HJ4N8H
• Dimensioni dei file: 28,6 MB (1,2 MB Download compresso)
• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 4000 x 2499 px | 33,9 x 21,2 cm | 13,3 x 8,3 inches | 300dpi
• Data acquisizione: 22 gennaio 2022

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Relief scene from the tomb of Queen Neferu: fragments from two registers showing male and female attendants moving to the right ca. 2051–2030 B.C. Middle Kingdom Neferu was most likely the first queen of Nebhepetre Mentuhotep II, and may also have been his sister. Her plundered tomb, excavated by the Metropolitan Museum of Art between 1923 and 1931, lay outside the king's temple precinct at Deir el Bahri. It was visited as a shrine in the Eighteenth Dynasty, and at some point it was used as a quarry for the fine limestone covering the walls.The decoration of the funerary apartments consisted almost exclusively of ritual scenes and depictions of sacred objects deriving from local Upper Egyptian iconography. The carving of Queen Neferu’s surviving reliefs has a captivating otherworldliness, although it is varied in quality. The extenuated proportions of the figures, and the elaborate patterns contrasting with smooth planes, represent the height of the Eleventh Dynasty archaic style. The background was left unpainted, while the figures were either detailed or covered with orange, pink, purple, blue, green, white or black paint. In this group of fragments, two rows of attendants advance from the left toward a richly endowed offering table, behind which the queen must have sat on a chair. It is interesting to note that only the male officials of the queen’s household are identified by name.The first woman in the upper register raises an elaborate menat necklace whose ends are just visible on the preserved fragment. Such necklaces were not only adornments but were also used as musical instruments in the service of the goddess Hathor, since their multiple strands of beads produced a rattling sound when shaken. Other women carry red-striped pieces of cloth, which would have served as sunshades for certain rituals. In the lower register, the cupbearer Imennakht offers a drink; and the scribe of the chests Intef brings a papyrus roll. The figures of a man called Djaayt