. Un indirizzo per il buon senso ed il candore del popolo in nome dei concessionari per la raccolta di mais: con alcune poche osservazioni su un ritardo di prova per regrating. Egli, vale a dire il suo master-in garretsof Parigi e nelle cantine sotto le case di Parigi,sono stati accolti entrambi i plotter o assassini estensimetri d readyto omicidio re-ci sono ulteriori prove che deveessere considerato quasi indiscutibile. Prima della morte ofHenri vi erano ritratti di Luigi XIII. preparato incui egli è stato descritto sotto di loro come Roi de France ;ritratti che non erano affrettate, daubs copperplateengravings ma che potrebbe non avere b

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. An address to the good sense and candour of the people, in behalf of the dealers in corn: with some few observations on a late trial for regrating. he, namely, his master—in the garretsof Paris and in the cellars beneath the houses of Paris, were sheltering either plotters or assassins d gages readyto murder the King—there are further proofs that mustbe considered almost indisputable. Before the death ofHenri there were portraits of Louis XIII. prepared inwhich he was described beneath them as Roi de France ;portraits that were not hasty daubs, but copperplateengravings which could not have been made readythe moment after Henri was dead and sold three daysafter that, as was the case since LEstoile bought onein the streets. It is, however, true that some whochanced to hear Ravaillacs frenzied pronouncementsto kiU the King, might have been induced to preparesuch things with a view to obtaining a ready and profit-able sale for them; yet it is to be remembered that hismiserable appearance, and his wandering words andwild looks, would have been far more likely to deter themfrom believing in him than to induce them to go to the 334. The DAriHiN (Lmiis XIII.)i Conclusion expense of engraving the portrait of a boy who mightnot come to the throne for another twenty years, if ever, and who, if he did so, would then be a boy no longer, whereby the portrait would have become almost value-less. It is time to conclude, to sum up the case betweenthose interested in a great historical drama, a romanceof real fact, who still believe that Ravaillac was anassassin paid by dEpemon to do his, and Spains, foulwork, and those who, after deep consideration andmuch inquiry, believe, as it has been endeavoured toshow, that, although there was a plot, Ravaillac hadnothing to do with it. His name has been handed downto posterity as one of the most vile assassins who everpolluted the earth ; yet, murderer though he was, hewas, still, not that. In solemn truth, he was a poorvisionary, a creat

Parole chiave associate all'immagine

• bookcentury1800
• bookdecade1800
• booksubjectcornlaw
• bookyear1800