5385 x 3966 px | 45,6 x 33,6 cm | 18 x 13,2 inches | 300dpi
Data acquisizione:
3 gennaio 2024
Ubicazione:
Milano, Palazzo Reale (Royal Palace), lombardy region, northern Italy, Europe
Altre informazioni:
Gabriele Basilico is an italian photographer known for its urban and cityscape photographs. He is one of the best european and international contemporary photographers of the 20th century. Graduated as an architect from the Polytechnic University of Milan in 1973, he devoted his entire career documenting urban and metropolitan landscapes transformed from an industrial to post-industrial society. Documenting the urban change was his main objective. In his autobiographical book "Architecture, Cities, Visions: reflections on photography" he states : “I had given myself a kind of mission, to witness how urban space changes… Cities resemble each other, but they are not all the same: there are social differences, of history, of size, of latitude, of climate. I think that urban space, subjected to an unprecedented change in history, presents itself as a real metaphor for our society, which certainly deserves to be observed with great attention”. On the issues of transformation, shape and identity, Gabriele Basilico has published over 100 photography books during his 40-year career. The main cities he has documented are Milan, Rome, Bari, Barcelona, Berlin, Madrid, Lisbon, Naples, Hamburg, Beirut, Genoa, Istanbul, Moscow, Paris, Shanghai, San Francisco, Rio de Janeiro, etc. His first project was in 1978-1980 "Milan-Factory Portraits", presented in 1983 at PAC Milan (Contemporary Art Pavilion). The first international project came in 1984 when he and other photographers were commissioned by the French government in Mission DATAR to document the transformation of contemporary landscape. From here the book "Bord de Mer" was created. The theme of ports and the sea accompanies him, as in the project of Genoa, concluded in the book “Porti di Mare” (1990).
Disponibile solo per utilizzo editoriale.
Uso relativo a notizie, recensioni e critiche e alla comunicazione di informazioni che riguardano persone, luoghi, cose, eventi o avvenimenti.
Per maggior chiarezza, l'uso editoriale non include alcun uso relativo a pubblicità, promozione (ad esempio siti web promozionali), marketing, packaging o merchandising.