Valigetta (portefuille). Cultura: Turco e francese. Dimensioni: L. 17-11/16 x W. 13-1/8 x D. 2-1/2 in. (45 x 33,3 x 6,3 cm.). Bloccare maker: probabilmente da Jacques Lourdière (master 1746-dopo il 1768). Data: 1763-64. Fabbricato in Turchia per il mercato occidentale, Marocco cartelle portadocumenti in pelle erano di moda sia in Inghilterra che in Francia durante l'ultimo trimestre del seicento e per tutto il XVIII secolo. Questo sontuoso esempio impreziosito con ricami in seta e filo metallico può essere datato al 1763-64 da uno dei contrassegni sulla gold lock: la coronata lettera Z, il marchio di saggio che giustificano la standa
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Briefcase (portefuille). Culture: Turkish and French. Dimensions: L. 17-11/16 x W. 13-1/8 x D. 2-1/2 in. (45 x 33.3 x 6.3 cm.). Lock maker: Probably by Jacques Lourdière (master 1746-after 1768). Date: 1763-64. Made in Turkey for the western market, morocco leather briefcases were fashionable in both England and France during the last quarter of the seventeenth and throughout the eighteenth century. This sumptuous example embellished with embroidery in silk and metal thread can be dated to 1763-64 by one of the marks on the gold lock: the crowned letter Z, the assay mark warranting the standard of the metal. The embroidery on the back displays both a banderole with the words "Ministère des Affaires Étrangères" (Ministry of Foreign Affairs) and the coat of arms of César-Gabriel, comte de Choiseul-Chevigny and later duc de Praslin (1712-1785). This nobleman enjoyed a successful military career before undertaking a political one. He served as foreign minister of France from 1761 to 1766 and in that capacity signed the Treaty of Paris, ending the Seven Years' War, which for France entailed the loss of much of her North American territories to Great Britain. Nevertheless, it is likely that the briefcase was intended to commemorate this event, and perhaps also to celebrate the politician's elevation to the rank of duke, which occurred in October 1762 ( the ducal crown forms a prominent part of the coat of arms). In his memoirs, Jean-Nicolas, comte Dufort de Cheverny (1731-1802), noted that the duc de Praslin was cold and disagreeable, yet had a passion for literature and found happiness with his mistress, Marie-Anne Botot, known as Mademoiselle Dangeville (1714-1796), who was famed for her roles as lady's maid at the Comédie Française.[1] Praslin, a bibliophile as well as a collector of old-master paintings, had only a few years to enjoy the use of his briefcase. Following his resignation as foreign minister, he was appointed to the Ministry of the Navy but was dismis