View Near Hudson (n. 15 (più tardi n. 12) del Fiume Hudson portafoglio). Artista: dopo William Guy parete (irlandese, Dublino 1792-dopo il 1864 Irlanda (attivo America). Dimensioni: Immagine: 14 1/16 x 20 3/16 in. (35,7 x 51,3 cm) foglio: 19 x 24 1/2 in. (48,3 x 62,2 cm). Incisore: John Hill (American (nato in Inghilterra), Londra 1770-1850 Clarksville, New York). Editore: Henry J. Megarey (American 1818-1845, New York). Serie/portafoglio: il fiume Hudson portafoglio. Data: 1822. Per replicare in modo accurato una discesa di Hudson da nord a sud, la stampa dovrebbe essere visualizzato come numero 12 piuttosto che al numero 15 all'interno

• Collaboratore: Album / Alamy Foto Stock
• ID dell’immagine: PB6839
• Dimensioni dei file: 39,3 MB (1,8 MB Download compresso)
• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 4200 x 3272 px | 35,6 x 27,7 cm | 14 x 10,9 inches | 300dpi
• Fotografo: Album

Altre informazioni

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View Near Hudson (No. 15 (later No. 12) of The Hudson River Portfolio). Artist: after William Guy Wall (Irish, Dublin 1792-after 1864 Ireland (active America)). Dimensions: Image: 14 1/16 x 20 3/16 in. (35.7 x 51.3 cm) Sheet: 19 x 24 1/2 in. (48.3 x 62.2 cm). Etcher: John Hill (American (born England), London 1770-1850 Clarksville, New York). Publisher: Henry J. Megarey (American, 1818-1845 New York). Series/Portfolio: The Hudson River Portfolio. Date: 1822. To accurately replicate a descent of the Hudson from north to south, this print should appear as number 12 rather than number 15 within the Portfolio. John Agg's related text tells us "the view was taken about a mile to the south of the city of Hudson, on the edge of the turnpike road leading to New-York...the Catskill mountains are seen in the distance, and the wooded elevation on the left is Mount Merino." The print comes from the Hudson River Portfolio, a monument of American printmaking produced through the collaboration of artists, a writer, and publishers. In the summer of 1820, the Irish-born Wall toured and sketched along the Hudson, then painted a series of large watercolors. Prints of equal scale were proposed--to be issued to subscribers in sets of four--and John Rubens Smith hired to work the plates. Almost immediately, Smith was replaced by the skilled London-trained aquatint engraver John Hill, who finished the first four plates, and produced sixteen more by 1825. Over the next decade, the popularity of the Portfolio stimulated new appreciation for American landscape, and prepared the way for the Hudson River School. Museum: Metropolitan Museum of Art, New York, USA.

Parole chiave associate all'immagine

• 19 century
• acquatinta stampata a colori con colorazione a mano
• annuncio del secondo millennio
• aquatint
• disegni e stampe
• dopo il muro del ragazzo di william
• etched engraving
• etching
• metropolitan museum of art
• new york
• nord e america centrale
• primo stato di tre koke
• stampe
• stati unuiti