View Near Jessup's Landing (n. 3 del Fiume Hudson portafoglio). Artista: dopo William Guy parete (irlandese, Dublino 1792-dopo il 1864 Irlanda (attivo America). Dimensioni: Immagine: 14 1/16 x 20 3/16 in. (35,7 x 51,3 cm) foglio: 19 x 24 1/2 in. (48,3 x 62,2 cm). Incisore: Iniziato da Giovanni Rubens Smith (American, Londra 1775-1849 New York); finito da John Hill (American (nato in Inghilterra), Londra 1770-1850 Clarksville, New York). Stampante: William e Charles Rollinson (American, active ca. 1808-33). Editore: Henry J. Megarey (American, 1818-1845 New York); W. B. Gilley (New York, NY); John Mill (Charleston,

• Collaboratore: Album / Alamy Foto Stock
• ID dell’immagine: R2KB24
• Dimensioni dei file: 39,6 MB (2 MB Download compresso)
• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 4200 x 3296 px | 35,6 x 27,9 cm | 14 x 11 inches | 300dpi
• Fotografo: Album

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View Near Jessup's Landing (No. 3 of The Hudson River Portfolio). Artist: after William Guy Wall (Irish, Dublin 1792-after 1864 Ireland (active America)). Dimensions: Image: 14 1/16 x 20 3/16 in. (35.7 x 51.3 cm) Sheet: 19 x 24 1/2 in. (48.3 x 62.2 cm). Etcher: Begun by John Rubens Smith (American, London 1775-1849 New York); Finished by John Hill (American (born England), London 1770-1850 Clarksville, New York). Printer: William and Charles Rollinson (American, active ca. 1808-33). Publisher: Henry J. Megarey (American, 1818-1845 New York); W. B. Gilley (New York, NY); John Mill (Charleston, South Carolina). Series/Portfolio: The Hudson River Portfolio. Date: 1821-22. This Hudson landscape, a few miles upriver from Glens Falls, looks back towards the Adirondacks, with stumps at right the result of recent logging. John Agg's related text tells us that, "the contour of this part of the country is rude, woody, and mountainous: human industry has done but little to soften and qualify the rugged asperity of nature; the lands are partially cleared and still more partially cultivated." The work comes from the Hudson River Portfolio, a monument of American printmaking produced through the collaboration of artists, a writer, and publishers. In the summer of 1820, the Irish-born William Guy Wall toured and sketched along the Hudson, then painted a series of large watercolors. Prints of equal scale were proposed--to be issued to subscribers in sets of four--and John Rubens Smith hired to work the plates. Almost immediately, Smith was replaced by the skilled London-trained aquatint engraver John Hill, who finished the first four plates, and produced sixteen more by 1825. Over the next decade, the popularity of the Portfolio stimulated new appreciation for American landscape, and prepared the way for the Hudson River School. Museum: Metropolitan Museum of Art, New York, USA.

Parole chiave associate all'immagine

• 19 century
• acquatinta stampata a colori con colorazione a mano
• americaine
• annuncio del secondo millennio
• aquatint
• artà
• arti
• disegni e stampe
• dopo il muro del ragazzo di william
• dopo william guy wall john hill
• etched engraving
• etching
• europa
• incisione a mano e acquatinta
• john hill
• national gallery of art
• print
• repubblica d'irlanda
• secondo stato di due koke
• stampe
• washington