. Giocatori e giochi dell'ultimo quarto di secolo; un sommario storico delle cause e una revisione critica delle condizioni esistenti nel teatro americano alla fine del diciannovesimo secolo. ch sembrava infondere la veryatmosphere, e nella ricca simpatia thatwas inerente nel suo pensiero. Tutte queste splendide qualità entrarono intoWilliam Warrens recitando, rendendolo mellowand vibrante con l'umanità ampia, semplice e purosangue. William Warren ha reallyliked agire perché gli piaceva fare peoplehappy. Il suo lavoro non fu mai un peso per himas finché fu ricompensato con risate e sorrisi a.
1443 x 1731 px | 24,4 x 29,3 cm | 9,6 x 11,5 inches | 150dpi
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. Players and plays of the last quarter century; an historical summary of causes and a critical review of conditions as existing in the American theatre at the close of the nineteenth century. ch he seemed to infuse the veryatmosphere, and in the rich sympathy thatwas inherent in his thought. All of these splendid qualities entered intoWilliam Warrens acting, making it mellowand vibrant with broad, simple, and thoroughlysincere humanity. William Warren reallyliked to act because he liked to make peoplehappy. His work was never a burden to himas long as he was rewarded with laughter andsmiles and beaming faces. So strong wasthis desire for brightness and joy that he wasknown to abandon in the midst of a profitablerun a part that had an intense vein of sad-ness. He could not bear to be instrumentalin causing even fictitious sorrow. Up to the time that his fiftieth year as anactor was celebrated on October 28, 1882, Mr.Warren had appeared in thirteen thousand, three hundred and forty-five performances andhad acted five hundred and seventy-seven dif-ferent characters. Thirty-five of these fiftyyears had been spent at the Boston Museum.Can one ask for more convincing proof of the. WILLIAM WARREN IN 1882 William Warren 279 superb quality of his art than the certain factthat he was able to hold for so long a time, and through such a range of impersonations, the favour and the support of the same pub-lic ? No actor in the history of the stage everplayed so continuously in one theatre, and noAmerican actor, at least, ever equalled Mr.Warrens marvellous record of industry andversatility. Such a record indicates some-thing far more enduring than the most po-tent personal charm or the most compellingdramatic instinct; it means resourceful art, infinite variety of expression, and positivementality. That Mr. Warren unfortunately narrowedhis fame by remaining thus long in onetheatre is undoubtedly true; but he washappy at the Boston Museum. The life ofa wandering player he could not e
