. Giocatori e opere dell'ultimo quarto di secolo; un sommario storico delle cause e una revisione critica delle condizioni esistenti nel teatro americano alla fine del diciannovesimo secolo. , come se la sua evilimagination avesse di per sé penetrato il maskof indifference che era destinato a nasconderlo.Kean ha risposto al tocco, e lo sceneè stato agito con fervore che ha compiaciuto il pubblico mightilythe. Quando era finito, Kean rushedto Forrest, e ha chiesto: In nome di Dio, ragazzo, dove ha yoottenere quello? E' una cosa mia, era Forrestsreply. Chiunque parli la parte qui in seguito deve fare

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. Players and plays of the last quarter century; an historical summary of causes and a critical review of conditions as existing in the American theatre at the close of the nineteenth century. , as if his evilimagination had of itself penetrated the maskof indifference that was intended to conceal it.Kean responded to the touch, and the scenewas acted with fervour that pleased mightilythe audience. When it was over, Kean rushedto Forrest, and demanded : In the name of God, boy, where did youget that ? It is something of my own, was Forrestsreply. Everybody who speaks the part hereaftermust do it just so, declared Kean. The Bowery Theatre was building in NewYork at this time, and Forrest was engaged toact there as soon as it was opened. Whenhe left Albany, he did not have money enoughto pay both his board and his fare to NewYork, so he was obliged to leave trunk andwardrobe in Albany as security for his debt.Friendless and penniless, he found the bigcity dreary enough. He was lonesome, dis-couraged, and morbid. Again he contem-plated suicide, and went so far as to buypoison —for the ostensible purpose of killingrats. Finally Jacob Woodhull, a utility actor ?^u. •?•. EDWIN FORRESTAs King Lear. Forrest and Charlotte Cushman 83 at the Park Theatre, who was going to have abenefit, asked Forrest to appear. Thus itcame about that on June 23, 1826, at the ParkTheatre, Forrest made his first appearance inNew York, acting Othello. The audience wasnot large, but the hit that the newcomer madewas positive. Forrests first appearance at the Bowery-Theatre occurred on November 6, 1826, and heplayed Othello. This was followed by Damon, perhaps the most popular of his early imper-sonations, Jaffier in Venice Preserved, theIndian chief in She Would Be a Soldier, Sheridan Knowless William Tell, Mark An-tony in Julius Ccesar, Earl Osmand, GeorgeBarnwell, Lear, Sir Edward Mortimer, Rollain Kotzebues The Spaniards of Peru, re-written by Knowles from an English par-aphrase, on May 21,

Parole chiave associate all'immagine

• bookcentury1900
• bookdecade1900
• bookidplayersplays
• bookyear1903